Ken Lam - Biography
Ken is Music Director of the Charleston Symphony Orchestra in South Carolina, USA and Associate Conductor for Education of the Baltimore Symphony Orchestra. He is also Artistic Director of the Baltimore Symphony Youth Orchestras, Resident Conductor of the Brevard Music Center in North Carolina, Artistic Director of Hong Kong Voices and Associate Professor and Director of Orchestra at Montclair State University in New Jersey.
In 2011 Ken won the Memphis Symphony Orchestra International Conducting Competition and was a featured conductor in the League of American Orchestra's 2009 Bruno Walter National Conductors Preview with the Nashville Symphony. He made his US professional debut with the National Symphony Orchestra at the Kennedy Center in June 2008 as one of four conductors selected by Leonard Slatkin. In recent seasons he led performances with the symphony orchestras of Cincinnati and Cincinnati Pops, Baltimore, Detroit, Memphis, Illinois and Meridian, as well as the Hong Kong Sinfonietta, Hong Kong Philharmonic, and the Taipei Symphony Orchestra.
In opera, he directed numerous productions of the Janiec Opera Company at Brevard and was Assistant Conductor at Cincinnati Opera, Baltimore Lyric Opera and at the Castleton Festival. In recent seasons, he led critically acclaimed productions at the Spoleto Festival USA, Lincoln Center Festival and at the Luminato Festival in Canada and his run of Massenet's Manon at Peabody Conservatory was hailed by the Baltimore Sun as a top ten classical event in the Washington D.C/Baltimore area in 2010.
Previously Ken held positions as Assistant Conductor of the Cincinnati Symphony Orchestra and Principal Conductor of the Hong Kong Chamber Orchestra.
Ken studied conducting with Gustav Meier and Markand Thakar at Peabody Conservatory. David Zinman and Murry Sidlin at the American Academy of Conducting at Aspen and Leonard Slatkin at the National Conducting Institute. He read economics at St. John's College, Cambridge University and was an attorney specializing in international finance for ten years before becoming a conductor.
Hong Kong Voices, after the first Hong Kong performance of the London version of Brahms' Requiem.